Factors to Consider When Plotting a Novel

Over the years, I’ve had some fabulous writing instructors here in San Diego. Some of the classes were taught at the UC San Diego or San Diego State University extension programs, others were at local community colleges or writing organization meetings. A few of the wonderful teachers I’ve had include Drusilla Campbell, Carolyn Wheat, Bonnie Zobell, Mary Balogh, and Diane Dunaway – all talented writers, in addition to being great instructors.

I recently came across notes from some of these classes and thought I’d share a few of my favorites. Many of these changed my life as a writer; in fact, I considered the following list so important, I pinned it to the wall above my computer while I was writing my first novel, Coyote Heart.

The following notes came from a course on novel writing, taught by Drusilla Campbell. I send deep thanks to Drusilla for sharing these tips and for her wonderful insight and instructive wit.

Here is a list of factors to consider when plotting your novel:

▪ Characterization is key.
▪ The story will demonstrate your character’s growth, her change from one kind of person to another.
▪ There will be a back-story influencing the current story.
▪ The story is about something that matters (a strongly-held belief).
▪ The story will not be predictable.
▪ The story will be full of conflict, tension, and suspense.
▪ The story will be rich with emotion.
▪ The story will be detailed and sensory.
▪ There will be a major inciting incident that will take the main character out of her comfortable state and put her in trouble.
▪ After the inciting incident, the major character has a goal, which can be put in the form of a question.
▪ The goal is always something tangible, though it may represent a spiritual or moral goal.
▪ There will be mystery in your story.
▪ Your plot will constantly generate questions in the reader’s mind.
▪ There will be a mix of good and bad characters, and no one will be either too good or too bad.
▪ Every character will always be fully motivated.
▪ Opponent(s) will thwart the view point character’s goal.
▪ The story will be about an active hero.
▪ There will be a darkest moment for your heroine.
▪ The hero and his opposition will confront each other at the end.
▪ Your story will follow the patterns of cause and effect, stimulus and response.
▪ Any flashback will move the story forward and deepen characterization. PROMISE.